百色学院学报

“酒”是我国古代诗人(词人 )特别喜爱、钟情的一个传统的审美意象。第一次有意识地赋予“酒”意象独特审美内涵的是魏晋时期的诗人。自此 ,我国古代的“酒诗”便以其特有的风貌影响着后世的诗词创作。到了唐宋时期 ,不少诗人 (词人 )借鉴、扬弃了前人的诗酒流韵 ,又赋予“酒”意象独特的象征意义 ,从而大大地丰富了我国古代“酒诗词”的骨力和风韵 ,使之在我国古代诗 (词 )坛上流溢出醉人的馨香 ,倍受历代读者的喜爱。

Wine” is the favorite and traditional aesthetic image for the ancient Chinese poets. It was the poets in the Wei-jin Period who made aesthetic intention of “wine”. Since then, the ancient Chinese“wine poems” have had great influence on the poems of its later generations with its special characteristics. Toward the end of Tang Dynasty, quite a lot of poets give “wine” image a special symbolic meaning by learning from the“wine poems”while developing what is useful and what is not, and enrich style and beauty of the“wine poems”, making it last long in the history of the poetry world and loved by generation and generation of readers.